Directed with attention to natural light and a focus on human connection, the film has reached audiences worldwide, securing 50 festival selections, 12 wins, and 4 nominations by July 2025. Screened at events from California’s Indigenous Film Retreats to the International Rotary Film Festival in Istanbul, where it received the “Best” award, the film navigates a competitive indie landscape. Amid a cinematic landscape often led by blockbusters, experimental films like this one are engaging festival audiences, reflecting an interest in diverse storytelling approaches.

Kershaw, whose background includes humanitarian work and soccer coaching, brings a varied perspective to The Summer of Love. The film, a blend of romance, documentary, and experimental elements, examines love through a visual style that balances intimacy and universality. Filmed according to the rhythm of natural light, the production adapted to its environment, creating a textured aesthetic. Film Matters Magazine noted its cross-cultural appeal, highlighting its ability to connect through shared emotional themes.
The Summer of Love employs a “live cinema” approach, emphasizing spontaneous storytelling. This method lends the film a distinct energy, setting it apart from more structured 2025 festival entries, such as Daniel Hayden’s A Bloody Mess or Joshua Oppenheimer’s The End. The film’s visuals, shaped by the hues of dawn and dusk, aim to evoke an emotional response.

A promotional image features Kershaw on a beach, dressed in a tuxedo, looking directly at the camera. The photograph reflects the film’s straightforward yet evocative style, capturing a sense of presence and focus.
As 2025 concludes, Kershaw is preparing for 2026 with a new project in development and plans for a global tour to present The Summer of Love at festivals from France to India. At the Egyptian American Film Festival, he shared advice for emerging filmmakers: “Embrace the culture around you, cultivate relationships, and persevere through setbacks.”

The Summer of Love contributes to independent cinema’s exploration of new forms and perspectives. As the festival season closes, Kershaw’s work offers a distinct voice in a diverse field.