Interviews

With Màquina, writer-director and cinematographer Joaquim Adrià Pujol transforms an intensely personal family story into a powerful exploration of addiction, codependency, and healing. Following a father and son on a road trip across the American West in search of psychedelic-assisted treatment, the documentary refuses easy answers, instead embracing vulnerability, emotional complexity, and hope. Fresh off its selection at the 2026 Brooklyn Film Festival, Pujol spoke with IndieWrap about making such a deeply intimate film, balancing the roles of filmmaker and family member, and why the conversations sparked by Màquina are just as important as the journey itself.

With The Closet, writer, director, producer, and editor Olivia Jean Hamilton delivers a witty and heartfelt comedy that challenges familiar coming-out narratives by exploring a conversation that is rarely portrayed on screen. Inspired by her own experiences, the five-minute short shines a light on the nuances of bisexual identity, the complexities of acceptance within queer spaces, and the power of humor to tackle deeply personal subjects.

With his debut short On Guard, filmmaker Will Calkins transforms the world of competitive saber fencing into an intimate psychological drama about ambition, obsession, and the search for self-worth.

Some love stories bring people together. Nate and Moriah in Venice explores what happens when two people who once meant everything to each other struggle to find their way back. Written and directed by Austin Balke, the intimate relationship drama follows Nate and Moriah as they spend a day wandering the streets, bridges, and cafés of Venice, Italy.

Violet Vendetta is the kind of film that reminds audiences why they fell in love with movies in the first place. Blending high-energy action, sharp comedy, and a heartfelt appreciation for the filmmaking process, Ted Hayden's festival favorite follows two aspiring filmmakers whose dream project spirals into a real-life action adventure.

Haibei Wang has built a distinctive career by bridging cultures, genres, and storytelling traditions. Originally from China and now based in New York, the composer has worked across film, musical theatre, animation, documentaries, and video games, developing a voice that combines cinematic orchestration with contemporary textures and Eastern influences.

Floored is a sharp and wildly funny black comedy that uses satire to explore motherhood, aging, identity, and the search for connection in a world overflowing with expectations and self-proclaimed solutions. Directed by Marchelle Bradanini and Emily Alpren under their creative partnership Plan D, the film follows an aging actress whose search for healing leads her into a chaotic circle of women confronting their own insecurities, frustrations, and suppressed rage.

With Love Song, filmmaker Love Nafi delivers an emotionally layered story about ambition, creativity, love, and the quiet sacrifices that shape our lives. Selected for the 2026 American Black Film Festival, the episodic drama follows a successful music producer whose unexpected reunion with a former collaborator forces him to confront unresolved emotions and the fragile balance between passion and commitment.

In Leap and Soar, director Denzel Vazquez crafts an intimate meditation on grief, memory, and emotional distance. Through restrained performances, poetic visuals, and moments of profound silence, the film explores the fragile bond between a mother and son struggling to reconnect after loss. In this interview with IndieWrap, Vazquez discusses the deeply personal inspirations behind the project, the influence of artists like Edward Hopper and Emmanuel Lubezki, and his desire to create a story that transcends language through pure emotion.

With Foreign Tongue, filmmaker Boris Mojsovski delivers a deeply original exploration of identity, belonging, and perception through the unlikely lens of Foreign Accent Syndrome. Blending comedy, magic realism, and emotional honesty, the film follows Kathy, a North American woman who suddenly wakes up speaking with a thick Bosnian accent — transforming her overnight into an outsider within her own world. In this conversation with IndieWrap, Mojsovski reflects on his own immigrant experience, the delicate balance between humour and heartbreak, and the poetic, deeply human questions at the heart of the film.