THE SUNDAY REWATCH: ‘HER’

When Spike Jonze’s Her was released in 2013, it felt like a glimpse into the near future, but also like a timeless love story wrapped in modern skin. More than a decade later, it’s still one of the most hauntingly beautiful and emotionally intelligent films of its era, a reminder that technology may evolve, but the complexities of human connection never change.

At the center is Joaquin Phoenix as Theodore Twombly, a lonely writer drifting through life after a painful separation. His work — composing heartfelt letters for strangers who struggle to express their feelings — contrasts sharply with his own inability to process his emotions. Everything shifts when he installs a new operating system, voiced by Scarlett Johansson, who names herself Samantha. What begins as curiosity blossoms into intimacy, and before long, Theodore is in love with someone who has no body, no past, and no physical presence beyond a voice in his ear.

It could have been a gimmick, but Jonze crafts the relationship with tenderness and precision. Phoenix gives one of his most vulnerable performances, portraying a man who is both fragile and hopeful, while Johansson’s voice work is so alive, so warm, that Samantha feels utterly real. Their chemistry transcends the screen, and the result is a romance that is as believable as it is unconventional.

The world of Her is subtly futuristic but eerily familiar — sun-washed cityscapes, minimalist apartments, soft colors that hide an undercurrent of isolation. It’s a vision of tomorrow that feels frighteningly close to today, where we already negotiate relationships with screens and depend on devices for comfort. Watching it now, in an age where AI companions and digital intimacy are no longer far-fetched, the film’s questions about what it means to truly love feel even sharper.

What lingers after rewatching is not the technology, but the humanity. Her is less about machines than about loneliness, vulnerability, and the search for connection. It asks whether love is defined by presence, by flesh, or simply by the ability to make us feel seen and understood. For Theodore, Samantha becomes the mirror that forces him to face himself, to reconcile his past, and to open up again to the possibility of love.

A Sunday rewatch of Her is not light entertainment — it’s tender, melancholic, and deeply introspective. It makes you slow down and consider your own relationships, the ways we connect, and the ways we fail to. And yet, it’s also a hopeful film, reminding us that even in isolation, beauty and intimacy can be found in unexpected places. More than ten years on, Her remains as poignant as ever — a love story that feels both impossibly futuristic and achingly human.

Total
0
Shares
Leave a Reply

Your email address will not be published. Required fields are marked *

Related Posts
Read More

“Decoded” Chinese Thriller Global Release on August 22

CMC Pictures has announced the global release of the Chinese psychological thriller "Decoded," a groundbreaking film that blurs the lines between dreams and reality. Directed by the acclaimed Chen Sicheng, "Decoded" features a stellar ensemble cast including Liu Haoran, John Cusack, Chen Daoming, Daniel Wu, and Faye Yu. This film represents Chen Sicheng's latest bold venture following the remarkable success of the "Detective Chinatown" series and "Sheep Without a Shepherd."
Read More

Vision Films Announces U.S. VOD Release of ‘Mysterious Circumstance: The Death of Meriwether Lewis’

After a successful theatrical release across the U.S., Vision Films, Inc. ("Vision") announces the U.S. VOD release of Mysterious Circumstance: The Death of Meriwether Lewis across major streaming and cable platforms on October 28. Having opened in seven states in early September, it has enjoyed extended runs and added screens from coast to coast. Mysterious Circumstance is also currently being released theatrically in Canada through a deal with Michael Mosca and Cinema Guzzo Les Films.
Read More

EXECUTIVE PRODUCER BRADLEY COOPER IN PRODUCTION FOR “CAREGIVING”

WETA Washington, D.C. today announced that production is underway on Caregiving, a two-hour documentary by executive producer Bradley Cooper. Sharon Percy Rockefeller, president and Chief Executive Officer of public media station WETA, a producer on the project, shared that the film will feature a diverse group of caregivers sharing their personal stories of challenge and triumph and is slated to premiere on PBS in Spring 2025.