Twin Cities PBS Premieres ‘Broadcast Wars’

Twin Cities PBS (TPT) is thrilled to announce the premiere of “Broadcast Wars,” a captivating documentary that explores the heyday of local broadcast news, when the ratings battles were fierce, the rivalries between stations were legendary and a news revolution forever changed television. “Broadcast Wars” will debut on November 26 at 7 p.m. as a two-hour film on TPT 2 and as a 3-part streaming limited series available on the PBS App.

Part of TPT’s “Minnesota Experience” history programming, “Broadcast Wars” delves into the golden era of Minnesota broadcast news, when high-priced anchors, groundbreaking technology and larger-than-life personalities ruled the airwaves. With millions of dollars in ad revenue at stake, stations like KSTP, WCCO, KMSP and KARE competed for supremacy in their quest to break the news and capture viewers along the way. Anchors became local celebrities, and behind the scenes, newsrooms were transformed by innovation, diversity and competition.

The documentary features archival footage from this vibrant time, interviews with veteran broadcasters and insights into how this media era shaped the local news industry in profound ways. From the rise of women broadcasters and reporters of color to the intense competition that redefined television journalism, “Broadcast Wars” offers a revealing look into the forces that forever changed the landscape of broadcast news.

“The Twin Cities were at the center of a media revolution, and the battles for ratings weren’t just about who had the best newscast – they were about how we told the stories of our community,” says the film’s Co-Executive Producer Cathy Wurzer. “The innovations of that time set the stage for the way we consume news today, and I’m excited for audiences to see the impact these legendary figures had on both television and our civic life.”

With candid interviews from key players of the time, including notable anchors and reporters such as Marcia Fluer, Don Shelby, Lou Harvin, and Ron and Paul Magers, among others, Wurzer’s conversations with her peers and predecessors reveal the highs and lows, including the mental-health toll caused by the stress-filled ratings battles.

In addition, the film highlights the critical shift toward inclusivity in the industry, featuring voices that had been historically underrepresented in newsrooms. As Wurzer notes, “It’s impossible to understand the Twin Cities broadcast story without acknowledging the barriers broken by women and reporters of color. Their stories are at the heart of this documentary.”

Join TPT for the premiere of “Broadcast Wars” on November 26 at 7 p.m. on TPT 2 and stream the 3-part limited series on the PBS App. For more information, visit the “Broadcast Wars” show page.

Total
0
Shares
Leave a Reply

Your email address will not be published. Required fields are marked *

Related Posts
Read More

The World’s Largest 4DX Auditorium in Times Square

CJ 4DPLEX, the world's leading producer of premium film formats and cinema technologies, and Regal, announced today the largest 4DX auditorium in the world opened at Regal Times Square in the epicenter of New York City. CJ 4DPLEX's cutting-edge 4DX premium format utilizes over 21 unique motion and environmental effects like vibration, water, wind, lightning, and scents enhancing the moviegoing experience.
Read More

Regal and Audible Launch Audiobook to Screen Program Featuring “The Boys in The Boat”

Regal and Audible, an Amazon company, collaborate for the first-time bringing movies and audiobooks together for their respective audiences. Amazon MGM Studios' The Boys in the Boat, in theaters this Christmas, is the first title they are working on together, offering the first chapter of the audiobook and a special Audible promotion to complete the listen.
Read More

Bridging Divides Through Provocative Films

With the 24-hour news cycle dominated by headlines involving culture wars and gender issues, we need catalysts for thoughtful, compassionate, and intelligent dialogue. Acclaimed editor Miguel Amodio works on films that do just that.